“Limerence” is an experimental film based on a long-term performance, in which the artist’s body is covered with burdock burrs—spiked seed pods that cling aggressively to passersby. Shot with a handheld, early-2000s digital aesthetic, the camera tracks a figure whose status remains unclear: human, vegetal, or a hybrid. The film does not follow a linear narrative, unfolding instead as an oneiric, body-horror B-movie in which the protagonist appears at once doubled and alone, either a conflictual couple or a single organism. The body loses its boundaries, dissolving into the surrounding landscape or, inversely, emerging from it. Borrowing the term “limerence” from popular psychology—an obsessive attachment to a person one can never reach—it articulates a sense of melancholy and impossibility vis-à-vis the natural world, amplified by a soundtrack by harpist Ange Halliwell. The film thus exposes both longing for and withdrawal from “wild” nature as a distinctly human fiction and projection.